Eleven Pitch Class Analysis

Composition, Chromaticism and the Developmental Process: A New Theory of Tonality

Eleven Pitch Class Analysis

Main menu

Skip to primary content
  • Home
  • Jeffrey L Norwood: Musicologist – Lecturer – Entrepreneur
  • A Basic Introduction to Eleven Pitch Class Systems Analysis
    • The Primary Chromatic Array: Structure and Function
    • The “Missing Pitch”
    • J.S. Bach’s Prelude and Fugue in C Major
    • W.A. Mozart’s Ave Verum Corpus, K. 618
  • About the Authors
  • Analyses
    • Analyses Indexed by Composer
      • Carl Philipp Emmanuel Bach (1714-1788)
      • Johann Sebastian Bach (1685-1750)
      • Ludwig van Beethoven (1770-1827)
      • Vincenzo Bellini (1801-1835)
      • Hector Berlioz (1803-1869)
      • John Blow (1649-1708)
      • Johannes Brahms (1833-1897)
      • Dietrich Buxtehude (ca. 1637/39-1707)
      • Pyotr Ilyich Chaikovsky (1840-1893)
      • Luigi Cherubini (1760-1842)
      • Muzio Clementi (1752-1832)
      • Frédéric Chopin (1810-1849)
      • Arcangelo Corelli (1653-1713)
      • Antonín Dvořák (1841-1904)
      • John Field (1782-1837)
      • Johann Jakob Froberger (1616-1667)
      • Girolamo Frescobaldi (1583-1643)
      • Mikhail Glinka (1804-1857)
      • Christoph Willibald Gluck (1714-1787)
      • Maurice Greene (1696-1755)
      • Joseph Haydn (1732-1809)
      • Domenico Scarlatti (1685-1757)
      • Giuseppe Torelli (1658 – 1709)
      • Antonio Vivaldi (1678-1741)
  • Composition, Chromaticism and the Developmental Process
    • Contents
  • Contact Us
  • Dissertations and Articles Based on Eleven Pitch Class Theory
    • Independent Scholarly Writings

Carl Philipp Emmanuel Bach (1714-1788)

CPE Bach Sinfonia in D

Proudly powered by WordPress